As I walked through gallery after gallery in The Louvre in search of the European and African art collections, I couldn’t help notice that many of people ahead of me were taking photos of the artwork. Most didn’t even look at a painting long enough. They just got within camera range, snapped and moved on to the next one.

Granted, with the size of The Louvre — I’m sure I could visit every day for a month and not see the same collections twice — the objective for many visitors is to capture as much as possible in the time that they have. But, to me, it just waters down the experience.

Sculpture from the African Art collection at The Louvre - Maynefoto

I couldn’t help thinking about it for several hours after — and it comes back to mind each time since that I’ve been to an art gallery or a museum.

In this time when cell phones and digital cameras are so ubiquitous, it shouldn’t have been surprising but it was.

In thinking about what I’d write in this post, I thought about a comment Chris Blackwell, founder of Island Records, made recently at a talk at the New York Public Library. To paraphrase, he said CDs and computers make a large collection of music more easily accessible but flattens the sound.

The same could probably be said about taking photos of works of art. By relying on a camera instead of the eye to interpret and record the image, we reduce it to one dimension. Sure, it’s accessible — we can load it on to our computers, print a copy, share it with our friends, etc., but no camera I know of can capture the subtle qualities, like the light or tiny brush strokes that the eye can pick up, or the feeling that some works of art can evoke in a viewer.

Seeing this “drive-by viewing” had me thinking about how we engage the things around us and how technology is allowing us to breeze through our lives without slowing down or stopping to notice, to take stock.

Having worked with creative people in different fields, I’m acutely aware of the right of ownership whether of a manuscript, photograph, song or painting and how easy it is for us to ‘own’ a knock-off or a copy of the original. I’m also well aware that some museums, like The Louvre, allow visitors to take photos (sans flash).

Maybe it’s not such a big deal to allow cameras in museums since most of their artists are dead and maybe they recognize that a lot of us take photos on our digital cameras and never print them.

What do you think?