Normally when I’m rushing through Times Square, it’s the viewers – mostly from out-of-town – I have to watch out for. They gather in groups outside the ABC television studio window to watch the taping of the morning show, or wander around, camera at the ready, eyes lifted skyward oblivious to those of us who are trying to get to work on time. Sometimes, they cover the sidewalk like a slow-moving tide that rarely breaks.
Truthfully, Times Square can be frustrating for regulars in a hurry but there’s really no place like it.
To complicate matters, for several weeks the City had crews resurfacing the plaza in front of the ABC studio (those bricks are new) and repairing 43rd Street so a large swath of the Square inaccessible. Do you ever notice how much road and construction work take place in the summer? I was relieved when the work was done, when the Square was back to its normal size.
A few days after, as I hurried from Broadway on to 43rd Street, I stopped in my tracks. Directly in front of me in the plaza, the same one that for weeks construction crews had cordoned off, was a mass of cut-out figures. Now I have visitors and installations to avoid, I thought. But it was fleeting.
Truthfully, I love art. It lightens my heart when I find it in places I don’t expect. This did. These framed life-sized chain-linked embroidered cut outs of the human body, some standing together in twos or threes, like in a photo, some solo – made me smile.
Chain link art? Artists sure know how to make art of the everyday, that’s what I love about them, I though. Then I remembered reading my blogger friend, Jeff Titelius’s post on Nikolai Astrup. He once used denim as a medium. Now that’s thinking outside the box.
As I walked towards the figures, I realized that I could see people through the cut-outs. Then instead of walking around as I had done, one man walked right through one. This is pretty cool, I thought as I glanced at my watch – yes, I had time to check them out – and pulled out my cell phone.
Created by Arles del Rio, Nearness, according to the Times Square website, “deals with restrictions, distance, the forbidden and achieving longings despite impediments.”
Sometimes art is inaccessible, leaving the viewer wondering about the artist’s intent. What I like about Nearness is its simplicity. It communicates, engages, and invites you to interact.
One morning as I walked through, I noticed a new sign telling people not to climb on to the installation. I was late and promised to take a photo of it on my way home. The following morning, Nearness was gone. I was disappointed. I brightened up when I saw on the Times Square website that it had only moved to the next block. Nearness will be on view until August 18th so if your travels take you to Manhattan, be sure to check it out.
A Little About Arles del Rio:
Arlés del Rio was born on November 6th, 1975, in Havana, Cuba. He has participated in many national and international exhibitions including The XI Havana Biennial, and his public installation “Fly Away” was part of the Behind the Wall Project (Detrás del Muro) also exhibited at The XI Havana Biennial and The 8th Floor Gallery in NYC. Recently, Arlés participated in group exhibitions such as “Premio Maretti” and “Stealing Base”. He was nominated for the 2012-13 Vermont Studio Center Fellowship Award sponsored by the Reed Foundation. His work is part of private and institutional collections in several countries including the USA, Spain, Italy, France, Switzerland and Greece. – From Times Square website.
Where Nearness will be next:
July 20 – August 1, 2014: Broadway plaza between 42nd & 43rd Streets
August 2 – 9, 2014: Broadway plaza between 43rd & 44th Streets
August 10 – 18, 2014 Duffy Square at Broadway & 46th Street
Linking up with Nancie’s Travel Photo Thursday.
Be sure to head over and check out more travel photos from around the world.
