What, to an Immigrant, is the Fourth of July?

It’s July 4th, and after nearly 30 years of living in this country, I still don’t feel comfortable celebrating. I wasn’t born here. My independence came through another country, so what exactly am I celebrating? Do I have the right to celebrate?

Flag on the Gate House, Central Park

I’m conflicted.

I came to America as an adult, convinced that being here would afford me a better life, and it has.

But like a child caught between two parents – the parent who gave her birth and the one who adopted her – I struggle to detach, to give myself permission to love the new parent as unconditionally as I love the “real” one and not feel like a betrayal. So I sit on the fence unable to fully embrace the new parent, reserving that secret part of my heart for the real one.

Some would argue that my position has probably been detrimental. By not fully committing, I’ve kept myself from engaging.  But being familiar only with the mores and lexicon of the real parent, how does one fully engage?

I’ve involved myself in the things I believe in: volunteering to teach and mentor, campaigning and voting for candidates I support, demonstrating for causes I feel strongly about, and buying and selling property. I’ve done my best to be a good citizen.

So what will it take for me to feel like I’m really part of the family, to feel like I have the right to celebrate? Is it length of time or giving myself permission?

Would coming here at a younger age and going to school have helped me form stronger bonds or teach me to decode the lingo, the secret hand signals? I wonder.

I’ve also wondered if having children to shepherd through the “system,” children who could potentially force me to commit, would have made a difference. Probably.

Add to the complexity of my internal conflict, the fact that the household I chose used to own people like me, and a whole new layer of emotional baggage is added to the mix.

When I lived in Washington, D.C., routinely around the holiday, I’d hear black people refer to July 4th as the 4th of You Lie. It sounded catchy but it was said with such cynicism and disdain, I knew it had to be serious.

July 4th is the day of celebration of the colony gaining its independence from Britain but for nearly 100 years more, blacks remained chattel slaves until December 6, 1865 when the Thirteenth Amendment ending slavery was ratified.

Frederick Douglass summed it up best when, in 1852, he posed the question that still hangs in the air nearly 160 years later, What to the slave is your fourth of July?

Today, I’m asking, What, to a first generation immigrant like me, is the true meaning of the fourth of July?

 

Soulful Sundays: Nina Simone

Even though I’ve never heard her perform, I have a great deal of respect for Nina Simone, a woman who lived her

Nina Simone - photo from the Internet

convictions and didn’t seem to give a hoot what anyone thought. I admired her strength, her courage, her activism. Mostly, though, I loved her music.

Mississippi Goddam, to me, is all Nina. I believe it sums her up as the civil rights activist she was. She was also a singer songwriter, pianist and arranger.

Born Eunice Kathleen Waymon on February 21, 1933 in Tryon, North Carolina, she adopted the name Nina Simone in 1954 so that her mother, a strict Methodist minister, wouldn’t know she was singing “devil music.”

Simone recorded several albums. Her 1972 single, To be Young, Gifted and Black, became my personal anthem. She has influenced musicians from Mos Def to Cat Stevens. Her music has been covered by artists from Aretha Franklin to David Bowie and Janis Joplin.

Simone lived in Barbados, the Netherlands, Switzerland and Liberia before settling in France in 1992, remaining there until her death in 2003.

I never got to see her perform but her voice, her energy, are unmatched. The day of her memorial service, I started to get dressed to go but got sidetracked by something that now is insignificant and unmemorable.

A movie based on Simone’s life, starring Mary J. Blige, is scheduled to be released in 2012.

Here’s her version of Ne Me Quitte Pas (in English, If You Go Away.)

Nina gives a shout-out to Jacques Brel. Here’s his version.

Jacques Brel, Ne Me Quitte Pas

Enjoy!

 

Set in Paris

Since the release of the new Woodie Allen movie, Midnight in Paris, I’ve been thinking of the movies I’ve seen that were set there.

Eiffel Tower

Here’s my list:

  • The Day of the Jackal (Edward Fox) 1973
  • A View to a Kill (Roger Moore, Christopher Walken) 1985
  • Dirty Rotten Scoundrels (Michael Caine, Steve Martin) 1988
  • Frantic (Harrison Ford) 1988
  • Dangerous Liaisons (Glenn Close, Michelle Pfeiffer, John Malcovich) 1988
  • Valmont (Colin Firth, Annette Benning) 1989
  • The Bourne Identity (Matt Damon) 2000
  • Chocolat (Johnny Depp and Juliette Binoche) 2000
  • Amélie (Audrey Tautou) 2001
  • Le Divorce (Kate Hudson, Naomi Watts) 2003
  • The Truth About Charlie (Mark Wahlberg, Thandie Newton) 2003
  • Something’s Gotta Give (Jack Nicholson, Diane Keaton, Kneau Reeves) 2003
  • The Devil Wears Prada (Meryl Streep, Anne Hathaway) 2006

Watching some of these movies – Valmont, Dangerous Liaisons, Chocolat and Something’s Gotta Give come to mind, really gives you a good feel for Paris. It’s also great to see a scene in a place you been to, like Roger Moore’s James Bond at the Eiffel Tower or at the Pont Alexandre.

I can’t wait to see how Midnight in Paris compares or what places I recognize.

Enjoy!